Storytelling guilds

Last night we attended a local guild of storytellers and felt a positive rush at the end of a hectic day. It was worth the snarly traffic and extra effort to get there. Why, because it gave us a safe audience to trial our stories. The feedback was great too, and constructive. Storytelling guilds tend to meet regularly, prodding tellers to hone their craft, and providing a framework for newbies to learn in a safe environment. It's something I'd highly recommend if you want to improve your storytelling.

Most of the Bible in 90 minutes - Dennis Dewey

Last night we had the privilege to see and hear Dennis Dewey perform an array of Bible stories beginning, of course at 'The beginning... , going on to 'The Fall', 'Abraham, Sarah and their guests','The Exodus', 'The Daughters of Zelophehad', 'Jonah' (we all liked the fish - and the song of lament), 'Jesus' Birth', 'Jesus, the boy in the temple', 'Jesus Calms the Storm', 'Jairus' daughter', 'The parables of the persistent widow' and 'The two praying', 'Jesus death and resurrection', and a bit of 'John's revelation'.

Wow! It was a great performance! Dennis brought out the voices of the characters in the stories and let the emotion of the story speak. And we felt like we were part of the story. I couldn't imagine listening to a sermon (although I've endured my share of long sermons) for 90 minutes and wanting more. 90 minutes represents a lot of material, both for the storyteller and the audience, and yet we discussed different scenes on the way home and this morning as well. We're still talking over the stories with our colleagues and they are as vivid in our minds now as they were last night.

As a storyteller, it's great to be in the audience and see tellers like Dennis perform. It gives me more ideas of how I'll tell one of those stories in the future, not that I'll attempt to do as Dennis did, but his voice and performance gives me more to think about and to explore.

It was a great experience. Wish you could have been there.

A book I'm reading - Provoking the Gospel: methods to embody Biblical storytelling through drama

I'm still thinking about my prior post concerning the spectrum of acting and telling a story. Then my wife suggested I read this book, Provoking the Gospel: Methods to embody Biblical storytelling through drama. I'm just starting, but am finding good stuff from the start. Here's a quote from the preface, p viii

"Contentment with the same old readings of biblical stories leads to rigor mortis. We need to poke these old stories, to pole them and provoke them a little. And nothing does that textual poking and provoking like public, physical performance. If you can continue to pretend that these old stories are calm compilations of ideas (our ideas!), the "same old" readings will be fine. But public audiences will not sit still for dull, formulaic performances. So if we dare to accept the risk and challenge of playing these fascinating old stories for audiences who are free to see what is actually there, free to react, respond, and argue, then we will need to poke hard at these stories."

I'm sure I'll be posting more from what I learn from this author.

The spectrum of telling and acting a story

It's been a long time since I've posted anything. As they say in Vanuatu, sori tumas. Just recently I attended a Network of Biblical Storytellers Gathering in Asheville, NC and had a great time watching others perform their stories. This time I got into the act a bit by participating in a coaching session for storytellers. I would not have been ready for something like this at an earlier conference, but really appreciated the input I got from the coaches and other tellers. I would say it was for me the highlight of the gathering. My experience with storytelling comes from listening to family stories and living in cultures where storytime is a part of a normal day. But I don't have much of any background with drama, and both my storytelling coaches did. I appreciated being pushed to tell with more dramatic expression, making my gestures larger and my emotion fit the mood of the story. The feedback from the audience was very positive and the audience really liked the change, stating it more on the scale of a metamorphosis. I know some professional storytellers encourage new storytellers to find their own voice, tell their stories naturally, but I think knowing something of drama basics can add much to the storyteller's performance. Perhaps the goal is to find a good meeting place between culture, telling, performing or acting and one's style and identity or person.